The digital project The Caribbean’s Great War has been created by the West India Committee, more specifically by its library and archive in London. The purpose of the project with twenty essays and digitized images is to show the role of the Caribbean within the British colonial empire during the First World War. Soldiers from islands in the Caribbean joined the British forces. The essays look at specific fronts, such as the Western front, the Middle East and Africa, and at individual islands. Among more general themes are the role of women and experiences in England. Among the downloads you can find (educational) materials and an e-book on the Great War and the Caribbean.
The virtual exhibition First World War 100: conflict and commemoration has been created by the Modern Records Centre at the University of Warwick. The exhibition shows some 100 archival documents and photographs divided over eight sections, dealing with themes such as the soldiers, intelligence and logistics, the home front, pacifism, women, work and the recovery after the First World War.
You can also use an online collection of the Modern Records Centre concerning the First World War with some 120 item, or visit a second exhibition with ten cartoons on the First World War published in The Railway Review.
The website of the project Tracing the Belgian refugees has been created by the University of Leeds in partnership with the Katholieke Universiteit Leuven and University College London. The project aims at creating a database concerning Belgian refugees who came during the First World War to the United Kingdom. Anyone can contribute information about refugees and their lives in exile. The database is supported by a blog, and there are also scholarly events on the research concerning the Belgian refugees. The database has four main fields: name, UK address, date of arrival and date of departure. You can use a general search field or add a new record to the database. The website can only be viewed in English.
The blog Der Erste Weltkrieg in Selbstzeugnissen [The First World War in Eyewitness Accounts] is a project of the Sammlung Frauennachlässe of the Universität Wien (Vienna). The documents are presented at the blog Salon21 of this research platform for women’s history and documents of women with some 400 collections in its holdings. On the blog excerpts from diaries, postcards or complete letters written by women are presented in a day-to-day sequence following the years 1914 to 1918 exactly one hundred years later. Women corresponded with each other, or they wrote to soldiers at the front and vice versa. There are documents by mothers, sisters, school girls and friends.
The digital collection World War One Posters has been created by the Library Company of Philadelphia. This collection contains some 300 posters created in the United States between 1913 and 1922. You can browse the posters and sort them by date, creator or title. You can use a free text search field to search for particular posters. They can be presented in a grid form or in a list.
The World War One Collection of the Library Company contains also a relatively small number of photographs and ephemera.
The digital collection Éischte Weltkrich [First World War] has been created by the Université de Luxembourg, the Luxembourg Centre for Contemporary and Digital History, and the government of Luxembourg. The German army occupied Luxembourg at the start of the First World War. The website offers a chronology of events up to 1924, a number of themes for further exploration (occupation, grief and loss, hunger, the aftermath), an interactive map, and a collection with some 350 digitized items which you can filter by period and genre; you will find items from 1919, too. The section Resources contains six scholarly articles. There is also a section on education for teachers. This website can be viewed in French, German and English.
The digital exhibition World War I comes to The Newberry has been created by The Newberry Library, Chicago. This exhibition touches several themes around the First World War, with for example attention to postcards, the role of engineers at the Western Front, the home front and the war economy. A second section focuses on the end of the war, the role of American women in rebuilding France and the return of refugees. In a number of sections there is only a narrative with references to items put on show, but without images or digital versions of them.
The digital collection John Robertson Hawke: World War I letters and artifacts has been created by the University of Wollongong. John Robertson Hawke (1890-1965) was a Scottish immigrant. He worked as a warehouseman before joining in 1915 the Australian Army. He fought in Egypt, France and Belgium (Ypres). He performed in particular communication tasks as a signaller. The collection contains two postcards and 200 letters, mainly written to his parents and family, a pay book and a field medical card. There is a collection guide (collection D55; PDF).
In a second collection you will find letters, postcards, documents and objects from and about another Australian soldier, William George Abate who was killed in action in 1917.
The virtual exhibition En guerre: French illustrators and World War I has been created in 2014 by the University of Chicago Library. The exhibition looks at some major aspects of the First World War, such as the Allied powers and the Centrals, but also at the home front and children. The images show book covers, images from illustrated books, postcards and posters. There is a printed catalogue for the original exhibition.
The digital collection La 1ère Guerre vue de Paris has been created by Odile Gaultier Voituriez. The collection gives an edition of 1020 letters exchanged during the First World War between two men in Paris, Étienne Bandy de Nalèche (1865-1947), a former diplomat who became the owner and editor-in-chief of the influential Journal des Débats, and Pierre Lebaudy (1865-1929), an industrial entrepeneur, philantrope and art collector. The original letters are mainly kept at the Archives d’histoire contemporaine, Centre d’histoire of Sciences Po in Paris [Fonds Étienne de Nalèche]. The list of other relevant sources and the extensive bibliography merit attention. The letters are posted in a sequence which gives you a day-to-day idea of this correspondance. You can select letters by month of publication.