The digital collection Cultural exchange in a time of global conflict. Colonials, neutrals and belligerents during the First World War: Sourcebook has been created by the team of the international CEBG project. This digital collection aiming at students in higher education offers a selection of sources from various holdings. You can select items for particular themes or choose a source genre, use the free search field or use the advanced search mode.
The digital collection Gallipoli – Century Ireland is part of the Century Ireland project of RTE, the Irish radio and television. This project concerning the Irish involvement in the First World War focuses on the Irish soldiers serving in the expedition to Gallipoli. In the collection you will find maps, aerial photographs and galleries with photos, drawings, works of art and posters. There are entries from regimental diaries and eyewitness accounts. The guides lead you to themes such as the home front, decorations for courageous actions, remembrance, the role of the Royal Navy and the Turkish army. There are also are interviews with historians, videos and films. Educational resources are also presented in this collection, and there is a section with a bibliography and links to relevant websites.
The digital collection Plateforme 14-18 is an educational project created by a team from many major French cultural institutions. The core of the collection are some 3,500 letters written by eight members of the Résal family, some diaries and 300 photographs. All resources stem from this family and are still kept in the family archive.
Most of the sons of Eugène and Julie Résal served in the French army. Salem and Younès served with the artillery. Louis and Paul, too, started in an artillery regiment, but later they became pilots. Some of the Résal children were born in Algeria. The two daughters did very different things: Meriém became a professional musician, Chérifa a nurse who noted daily events in her agenda during the First World War. You can search for information using the intuitive navigation with symbols for dates, locations, peoples, a clickable map and three main themes: the fronts, men and women, and the impact of modernity. It is also possible to view the personal network of each family member. In the additional materials you can find some films from the holdings of participating institutions. The website can only be viewed in French.
The digital exhibition The Great War Revisited has been created by the Library of Trinity College Dublin in cooperation with the Google Cultural Institute. The Library shows here sixty items with all kind of documents, ranging from audiovisual materials – including five videos and rare photographs taken in Iraq and Palestine – to recruiting posters, images of letters and diaries, pamphlets and artwork.
Depending on the country where you access this virtual exhibition the interface at Google Cultural Institute uses a particular language, which can be changed using the very narrow navigation bar at the bottom of the screen.
The virtual exhibition Der Erste Weltkrieg und das Ende der Habsburgermonarchie [The First World War and the end of the Habsburg monarchy] has been created by Schloss Schönbrunn in Vienna. You can conduct a general search using the free text search field, click the map for information about a particular part of the Habsburg Empire, look at a particular year of the First World War and its aftermath, or choose from the many themes covering a wide variety of subjects. The digitized items featured in this exhibition come from the holdings of several institutions in Vienna and elsewhere. The exhibition can be viewed in German and English.
The virtual exhibition 14-18, une guerre photographique has been created by the Musée Nicéphore Niépce in Chalon-sur-Saône, a museum for the history of photography. This virtual exhibition has two sections. The first section, Le Miroir, une revue photographique, Août 1914-Décembre 1919 contains some 280 issues of this weekly published illustrated journal. The explicit goal of this journal during the First World War was to strengthen the links between soldiers and the general public, and to support the war efforts. The second section, Les yeux de la guerre, vues stéréoscopiques [The eyes of the war: stereoscopic views] contains nearly 700 stereoscopic photographs taken during the First World War. These images are organized along a number of themes. In order to view the images with a 3D-effect you have to install the Unity 3D plugin. For viewing the stereoscopic effect you will need stereoscopic glasses (red/blue). The website can be viewed in French or English.
The digital Scottish Screen Archive is an online service of the National Library of Scotland, Edinburgh. On this subdomain you can watch clips and complete films. By selecting from the search fields the subject War and as decade 1910s you can find nearly twenty items relating to the First World War. From 1919 stem two movies showing peace celebrations. There is a German propaganda film showing aircraft (no clip). Films about hospitals and labourers document the increasing role and place of women during the First World War. By choosing only the decade 1910-1920 you will find almost ninety movies; this selection puts the films concerning the war and the military into better relief.
The digital portal Portal des Bundesarchivs zum Ersten Weltkrieg has been created by the Bundesarchiv, the German national archives in Koblenz. The portal offers access to digitized inventories and archival records on a wide range of themes. You can browse galleries about special themes, such as the reaction of Germany to the assassination in Sarajevo in 1914 or the German presence in China (Tsingtao). You can look at digitized photographs, including panoramic images (Panoramabilder), and movies. Searching in online archival inventories (online finding aids) is possible using the Invenio system. This system presents also the digitized items. Some 700,000 pages have been digitized. The portal helps also genealogical research (Ahnensuche). Among the rarities are four sound recordings (Tonaufnahmen). The portal is only accessible in German.
The virtual exhibition David Lloyd George has been created in 1995 by the National Library of Wales in Aberystwyth. The virtual exhibition shows the career of Lloyd George (1863-1945) from its beginnings in Wales to his political life in England crowned with his role as Prime Minister (1916-1922). He led the United Kingdom through three years of the First World War after he took over power from Herbert Asquith. As Chancellor of the Exchequer (1908-1915) his role in transforming society had been certainly not less important. The exhibition shows photographs, some films and a sound recording made in the thirties of a speech originally held in 1918. The exhibition can be viewed in English and Welsh.
The National Library of Wales (NLW) has in its holdings several series of papers documenting the political career of David Lloyd George. His diary from 1886 (NLW, William George Papers 6) has been digitized, as are his more than three thousand letters to his brother William George (NLW , MSS 20403-42). The National Screen and Sound Archive of Wales has digitized in a special gallery numerous films kept at the NLW featuring David Lloyd George . Most of these films were made after the First World War.
The digital collection Australian Screen: First World War is a selection at Australian Screen, the online portal of Australia’s National Film and Sound Archive, Canberra. In this collection with nearly sixty items you will find newsreels from the Australasian Gazette collection, movies created during the First World War, and movies and TV series created afterwards concerning the First World War. The films have been made in various countries, mainly France, Egypt and Turkey. The Australasian Gazette items from the period 1914-1918 feature mainly cartoons.
At Australia Screen movies from the First World War are also presented in the collection Australian War Memorial Western Front and Gallipoli on Film, both of them with introductory essays by Paul Byrnes. The footage of the 1915 films about Gallipoli dominates the image of the Australian forces and Gallipoli, but these movies were not made at the Dardanelles front.